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A groundbreaking reassessment of W. H. Auden’s early life and poetry, shedding new light on his artistic development as well as on his shifting beliefs about political belonging in interwar England.
W. H. Auden is a towering figure in modern literary history with a complex private self. Hannah Arendt wrote that he had ‘the necessary secretiveness of the great poet’. The Island lays bare for the first time some of the most telling ‘secrets’ of Auden’s early poetry, his world, his emotional life, his values and the sources of his art.
In a book that is an argument but also a story, Nicholas Jenkins gives compelling readings of iconic poems. He presents Auden in the inter-War years as both a visionary writer, creatively dependent on dreams and intuitions, and a traumatized poet, haunted by war and suffering, and shadowed by his outsider status as a privileged but queer man.
The Island considers, as well, Auden’s imaginative flirtations with a lyrical nationalism appealing to a poet who, for a while, felt his psyche was like a map of English culture. The narrative ends in Auden’s disillusionment with these potent myths and beliefs and the time when he left ‘the island’.
Auden’s preoccupations – with the vicissitudes of war and the problems of love, belonging and identity – are of their time but they still resonate profoundly today.
‘A superb, deeply researched study of Auden’s early work and identity. Jenkins’s understanding of young Auden as a poet shaped and haunted by the First World War – assimilating the influence of
Wilfred Owen, Edward Thomas, Robert Graves, and W. H. R. Rivers – is convincing, original, and poignant. Fusing biography, cultural history, and literary criticism in innovative and elegant ways,
The Island is a landmark publication in modernist studies.’
Heather Clark, author of Red Comet: The Short Life and Blazing Art of Sylvia Plath
‘Nicholas Jenkins is one of our most perceptive and resourceful‘Nicholas Jenkins is one of our most perceptive and resourceful critics. In this wonderful study of the early Auden, he brings to bear history, biography, and an acute sense of the artistic moment to fashion for us a young genius who is conservative, bucolic, gay, a patriotic adherent of post-imperial Little England. Most people work backwards from a writer’s ultimate reputation, but Jenkins gives us a new, unexpected image of a poet developing in the aftermath of World War I and the collapse of modernism.’
Edmund White, author of The Humble Lover
‘The Island is a Copernican Revolution in Auden studies, a revelatory and often exciting book that presents a new and convincing account of Auden’s early years. It explores, for the first time, the deep connections between the inner workings of his poems and the worlds of politics and economics. By bringing to light Auden’s ambition to be a national poet, Jenkins transforms our understanding of not only Auden himself but all of modernist literature.’
Edward Mendelson, author of Early Auden and Later Auden
Nicholas Jenkins teaches English Literature at Stanford University. His writing has appeared in the New Yorker, the Times Literary Supplement, and the New Republic, among other publications. He is the literary executor of the ballet impresario Lincoln Kirstein.
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