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It was a peace offering, I knew that
you don’t appear on someone’s doorstep uninvited, saying Alright
unless you want to make amends
It’s been six years since Rosa last saw her brother. Six years since they last spoke. Six years since they last fought. Six years since she gave up on the idea of having a brother.
She’s spent that time carefully not thinking about him. Not remembering their childhood. Not mentioning those stories, even to the people she loves.
Now the distance she had so carefully put between them has collapsed. Can she find a way to make peace – to forgive, to be forgiven – when the past she’s worked so hard to contain threatens to spill over into the present?
From the acclaimed author of little scratch, this is a moving, powerfully honest novel about how we love, how we grieve and how we forgive.
A one-of-a-kind storyteller gifted with a winningly refreshing mix of traits: unorthodox in form yet compulsively readable, playful and mischievous in spirit while seriously thoughtful.
Rebecca Watson’s unique style is completely immersive; I felt as though I was inside of Rosa’s head, spiralling with her into uncertain memories. I Will Crash is an unforgettable ghost story.
I Will Crash proves once again that there is nothing received, nothing complacent, nothing taken for granted in the writing of Rebecca Watson. Her writing builds itself from first principles, concentrates itself into only what is essential and startling, in a voice that feels both carved and floating.
I Will Crash places the reader firmly in the consciousness of a narrator confronted with the myriad and often conflicting impulses that arise from childhood trauma. Watson's scattered sentences produce a deeply mesmeric and almost destabilizing effect on the reader. It's profoundly moving, funny, and beautifully written. A masterclass on the art of ellipsis.
An ambitious tale of sibling feuding and grief.
Rebecca Watson possesses an uncanny ability to manipulate a reader’s gaze.
Rebecca Watson is part-time Assistant Arts Editor at the Financial Times and one of the Observer’s ten best debut novelists of 2021. She has been published in the TLS, Granta and the Guardian. In 2018, she was shortlisted for The White Review Short Story Prize, and in 2021, she was shortlisted for the Goldsmiths Prize and the Desmond Elliott Prize.
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